Once more, Arnold is perfecting her meandering journey through marginalized existences.
(Hilariously, Keoghan dismisses the possibility that Murder on the Dance Floor passes for good music.)
Through Bird, Bailey will find her place in a world determined to overlook her.
‘Bird’Cornerstone
Keoghan, too, paints Bug as a flawed but ultimately loveable father figure.
Id have been better off without ya, he tells them, and hes unquestionably right.
But I love youse two.
Arnold knows just how to get under our skin.
Here, more confident in her storytelling, she embellishes with fantastical elements we wont spoil.
